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Steve Hoffman's equipment
Steve does his mastering rehearsal work in his studio, but finishes special projects (such as vinyl cutting and HDCD, SACD, 24K Gold CD) at Stephen Marsh Mastering in Hollywood and The Mastering Lab in Ojai, CA.
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J-Corder Custom "Ruby" Technics 1520 tape recorder
Joule Electra LA-200 custom line stage
Concert Fidelity DAC-040 Kensei tube digital to analog converter
Concert Fidelity 6B4G tubed Fusion monoblock amplifiers
VAC Phi 200 monoblock amplifiers
Wavac EC-300B 10 watt single ended triode (SET) amplifier with Western Electric 300B tubes
Woo Audio WA5 300B single-ended triode amplifier
Modwright Sony 9100ES tubed Platinum Signature Truth SACD/CD player
Rogers BBC LS3/5a speakers (for near field)
Kubala-Sosna Emotion Interconnects, power cords, 20 amp IEC cord, bi-wire speaker cable and internal/external studio wiring
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Mastering studio "Pro" gear
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Ampex 351-2-P analog (1959)
Ampex AG-440-4 analog (1967)
Tascam D-RW901SL CD recorder
Tascam BR-20 modified open reel tape recorder
Klark-Teknik DN-360 1/3 octave graphic equalizer
George Massenburg Labs GML Model 9500 Series II mastering parametric equalizer
Universal Audio Model 500-A equalizer (stereo pair) (1965)
Teletronix Model LA-2A leveling amplifier (stereo pair)
Urei 1176 Blue Stripe leveling amplifier (stereo pair)
Ampex MX-35 mic/line mixer (1962)
AKG C 414 B-TL II microphones (stereo pair)
KAB/Technics SL1200 modded for 78 RPM playback with Shure V15 Type IV 78 RPM cart
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Listening room system
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Tenor Audio 350M monoblock amplifiers on custom Symposium Acoustics Svelte Plus energy absorption platforms
McIntosh Labs MC402 amplifier
Concert Fidelity CF-080 LS hybrid line stage preamplifier
McIntosh Labs MT 10 turntable/cartridge system
Music Hall MFF-7 turntable
Clearaudio Talisman V2 Gold MC
Sutherland PhD. phono stage (for Moving Coil McIntosh cart)
Sony SCD-1 SACD/CD player
McIntosh Labs C46 preamplifier (for MM phono stage and Shure V15 cart)
McIntosh Labs MCD500 SACD/CD player
Venture Audio Grand Excellence III speakers
Audience interconnects and bi-wire speaker cable, Argento Serenity interconnects, Concert Fidelity bi-wire speaker cable,
FMS bi-wire speaker cable, Grover interconnects
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Headphone system
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Woo Audio WA5 300B Single-ended Triode Class-A headphone amplifier
Channel Islands Audio VHP-1 MK II Solid State headphone amplifier
Sennheiser HD 600 headphones with Stefan Audio Arts Equinox cable upgrade
AKG K 701 headphones with Ken Ball ALO Audio upgrade
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Vintage system
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Amplifiers
McIntosh MC30 monoblocks (1959), Marantz 8Bs (1961), Dynaco Stereo 70 (1960)
Preamplifiers
Marantz 7C (1961), McIntosh MX-110-Z (1966)
Receivers
Fisher 800B, 500B (1962)
Tuners
Marantz 10B (1965), McIntosh MR71 (1966)
Turntables
Thorens TD-124 (1959) with original ESL arm (1959) with ESL "sweeper" and Shure M44 cartridge with various vintage matching microgroove and 78 RPM styli, Thorens TD-160 turntable with original installed Shure M97ED cartridge
Open Reel
Pioneer RT-707 quarter track machine
Viking 88 tube type reel to reel stereo tape deck
Speakers
Tannoy Lancaster 15" Dual-Concentric Gold (1967)
Cables
Monster Cable Pro-Link 400 interconnects and speaker cables
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Accessories
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Sound Application LineStage MK VI power conditioners in all music rooms
Symposium Acoustics Svelte Plus energy absorption platforms and Rollerblock suspension systems in all music rooms
Symposium Acoustics Isis Custom two shelf rack, Oyaide Ultimate SWO-XXX duplex AC outlets, Shakti Stone
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Disclaimer: These are Steve Hoffman's systems as they are right now. This is subject to change, mainly dependent on what Steve Hoffman currently reviewing or working with. Updated 3/2013
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